7pm Friday - 22nd October - an online event as part of the 2021 Big Poetry Weekend
Helen Dewbery is going in search of the perfect poetry film. And is showing a clip of my work! Thank you Helen :)

So pleased with how the (dare I say it) halfway (?) staging post of 'Because goddess is never enough' film looked in Espacio Gallery. And also pleased with the reiteration of Space Negotiations. Time now to reflect and push each piece onwards and upwards to their next development.

Also it was a brilliant week with the other artists involved in Osmosis - support, conversation and companionship - thank you Tom Hackett, Julian Woodcock, Robert Good, Belinda Mitchell and Eileen White.

So many thank yous for all who have helped so much in getting me this far with 'Because goddess is never enough'.

Not least and including the curator for Osmosis Ahmed Faroqui, my mentor Rosalind Davis, and Will Cross and Sarah Brown and their generous and equal obsessions and interests in Tilly Losch.

And of course, none of it would be possible without my wonderful writer and performer Rosie Garland, dancer Natasha Jervis and voice performer Alison Glennie.

Supported by my Arts Council England Develop your Creative Practice Award.

The 2021 lockdown restrictions have thrown out my intended plan of work on my project. The photographic studio I found was closed, the sound recording was closed and I felt this project was so much about a human, a dancer, that I was very wary of going too far without working on photographing the body. I stalled ...
However, discussing the photographic sessions with the studio made me think about using studio flash. I've always restricted myself to daylight photography, thinking that any kind of studio flash was out of my reach and impractical. But I completed an excellent Skillshare online course on using off-camera flash in order to learn the concepts of flash photography (I had previously only used studio lighting on a City & Guilds photography course many years ago, and I think that was with static lights not flash). I bought a relatively inexpensive Speedlight for my Nikon and I've been playing.
The manual settings are so straightforward (at least when you are going for a trial and error approach) that I wish I had tried this years ago. The flash power is just another factor to adjust to get the right amount of light on the subject - in conjunction with aperture, ISO and so on. And the consistency over daylight is just so fantastic because I am repeatedly photographing the same thing over and over.

It is an unexpected outcome, but this is certainly developing my creative practice - so thank you to the Arts Council and the DYCP award. It is already making a difference.
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The photography studio is now open again and I'm going for an induction later this week. Then I will plan the session with the model - and I've got more options than I would have had. I'm feeling nervous, but its another step into something new which is exciting.

The festival will be happening as an online screening event. Please check their website for the latest details. https://www.artlitlab.org/events/midwest-video-poetry-fest-2020
As of writing this post - the details for the online event have yet to be updated from the originally planned 'in real life' festival.
Moss - poem by Natalie Whittaker - published by Ignition Press 

Digital Graffiti 2020 at Alys Beach, Florida was postponed from May until 2-3 October. On the original dates, curator Brett Phares put together a 'Digital Graffiti from home' experience. A selection of highlights from past years of Digital Graffiti festivals were combined in a showreel film and Brett invited people to download and enjoy it - if at all possible by projection - in whatever environment you found yourself. 

I was delighted to find my film 447 Intellect - N was to be included.

We had great fun playing with the images in the garden, projecting on trees, the children, the fence and the church opposite. It seems my aged projector is rather on the green side. But despite this - DGatHome has made me think about being more creative and experimental with what I could do with projecting and rephotographing images. This was a process that I explored a little in my 2019 piece for Visible Poetry Project - letter to anyone who is listening, where I projected images on myself and rephotographed them.

Meanwhile, on the other side of the Atlantic, 2014 Digital Graffiti artist ​Zlatko Cosic ​captured some really gorgeous images from his home in St Louis. Zlatko has kindly given me permission to share his images - I wanted to show how beautiful the work looks when it is not all green!

Above: Video montage captured by Zlatko Cosic from projection of Digital Graffiti at Home reel

Zlatko will be showing a new piece - Dirty Look - at the rescheduled Digital Graffiti festival in October. I would love to be able to see this projected at Alys Beach. I wonder which location has been chosen?

Celebrating films of 5 minutes and under - MicroMania Film Fest has much to be explored - see all the selections at ​https://vimeo.com/showcase/micromaniafilmfest

Operating out of Buffalo, NY - the festival is releasing works online and across social media because of the Covid-19 crisis.
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Included in the selections is 'Moss'

Covid-19 restrictions caused some filmmakers to be unable to complete their films for the April 2020 edition of Visible Poetry Project. Founder of the Project Michelle Cheripka invited to make a 'Behind the scenes' film from my previous work for VPP. I decided to look back to my first film with Brittani Sonnenberg - Coyote Wedding. 

It was lovely to look back over Brittani's images and poetry - and as well as explaining something of the process of making Coyote Wedding, I decided I would also make a rough and ready 'lockdown' film of Night Walk MTV. This was the first piece of Brittani's that I read, and it made me fall in love with her work. In 2018 it was hard to choose which poem to work with so it has been a delight to revisit Night Walk MTV.

And here is the original film.

Very pleased to say that my film 'Moss' (poet Natalie Whittaker) has been selected to be screened as part of the 'Breaking the Line' programme on Friday 17th April. The festival is online from Wednesday to Sunday with a different programme screening each day, available for 24 hours.

Visiting The Word in South Shields to see the installation of the Poetry + Video programme. 

It all looked very professional and beautiful, the exhibition is in their ground floor exhibition 'pod'.
The outside wall has an introduction to the programme, while inside vinyl lettering lists all the titles, filmmakers and writers.
People drop-in to the space to take in the films. I chatted to the events manager - she says that typical visitors will stop and watch 2 or 3 films at a time. 
All in all an excellent model for an alternative to a screening event for showing poetry film. I think this is a lovely way to dip in and out of poetry film, or perhaps discover it for the first time.

Happening this weekend - ​https://www.publicpoetry.net/reelpoetry/
From the website: REELpoetry/Houston TX  international poetry film festival, JAN. 24-26, 2020. Screening cinepoetry, mini-documentaries, videopoems, from local, national and international poets and filmmakers, panels, workshops & more. Featured guests include Dave Bonta, founder of Moving Poems, filmmaker Mary McDonald (Canada) presenting “In Augmented Reality,” and poetry filmmaker, Sarah Tremlett (England), curator of “Uprooted.” ​

​The programme page is here

Very pleased to say 'letter - to anyone who is listening' is being screened as a Judges selection.